
With KOTOE.
HA HA HA, blue linen and a longtime friend.
Drawing. Making. Wearing. Meeting.
The people and decisions that make UKENA.
A film about Ole Ukena’s practice.
“I made a jacket with embroidery. Someone bought it, someone else wanted it, and another one.”
Ole Ukena
UKENA began in 2020, during the pandemic. Ole’s work with embroidery became something people could wear. Morta later joined the project as a creative partner, helping shape what UKENA became.
Ukena is Ole’s family name. It was there before the clothing.
What another person hears in it may be different. That openness runs through the work: a drawing, a garment or a name can mean something its maker did not expect.


UKENA takes its name from artist Ole Ukena. His drawings begin a collaboration with the Bali atelier: embroidery and tailoring give the line a form that can be worn.
Morta coordinates studio operations, retail relationships and customer communication. Her contributions also include colour choices for Soft Code.
The work carries these different contributions into another collaboration: the life of the person who wears it.
Ole Ukena’s wider practiceInside the YES AND exhibitionAt the machine, an embroiderer guides the cloth beneath the needle. Tailoring gives it shape.
A day at the open studioFriends, music, exhibitions and the work being worn.

HA HA HA, blue linen and a longtime friend.

From the records to a work out in the world.
A conversation. A memory. Another person wearing the work.
A signature beside the artist’s. A future passport carrying a piece’s history. Wandering Jackets, worn for a while and passed on.
These are proposals, not available services. Wearing the work does not require signing, registering or sharing anything.
Have a garment, a drawing or an idea in mind? Tell us what you would like to explore with UKENA.
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